ShopDreamUp AI ArtDreamUp
Deviation Actions
![[APH] Mesoamerican cultures](https://images-wixmp-ed30a86b8c4ca887773594c2.wixmp.com/f/217e05e1-1c4c-411d-9edc-d95f4f3e75fa/d9lfgi5-3f79f97f-f97f-4569-85f1-12add55bf12e.jpg/v1/crop/w_184,h_184,x_39,y_0,scl_0.049582322824037,q_70,strp/_aph__mesoamerican_cultures_by_xxhikaru00xx_d9lfgi5-92s-2x.jpg?token=eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJzdWIiOiJ1cm46YXBwOjdlMGQxODg5ODIyNjQzNzNhNWYwZDQxNWVhMGQyNmUwIiwiaXNzIjoidXJuOmFwcDo3ZTBkMTg4OTgyMjY0MzczYTVmMGQ0MTVlYTBkMjZlMCIsIm9iaiI6W1t7ImhlaWdodCI6Ijw9MzcxMSIsInBhdGgiOiJcL2ZcLzIxN2UwNWUxLTFjNGMtNDExZC05ZWRjLWQ5NWY0ZjNlNzVmYVwvZDlsZmdpNS0zZjc5Zjk3Zi1mOTdmLTQ1NjktODVmMS0xMmFkZDU1YmYxMmUuanBnIiwid2lkdGgiOiI8PTY4MzAifV1dLCJhdWQiOlsidXJuOnNlcnZpY2U6aW1hZ2Uub3BlcmF0aW9ucyJdfQ.S1zaeqb5B1oFXARUFgCQwKWTR1C3fZNWdFY_k7fqEaw)
![[APH] Mesoamerican cultures](https://images-wixmp-ed30a86b8c4ca887773594c2.wixmp.com/f/217e05e1-1c4c-411d-9edc-d95f4f3e75fa/d9lfgi5-3f79f97f-f97f-4569-85f1-12add55bf12e.jpg/v1/crop/w_92,h_92,x_19,y_0,scl_0.024791161412018,q_70,strp/_aph__mesoamerican_cultures_by_xxhikaru00xx_d9lfgi5-92s.jpg?token=eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJzdWIiOiJ1cm46YXBwOjdlMGQxODg5ODIyNjQzNzNhNWYwZDQxNWVhMGQyNmUwIiwiaXNzIjoidXJuOmFwcDo3ZTBkMTg4OTgyMjY0MzczYTVmMGQ0MTVlYTBkMjZlMCIsIm9iaiI6W1t7ImhlaWdodCI6Ijw9MzcxMSIsInBhdGgiOiJcL2ZcLzIxN2UwNWUxLTFjNGMtNDExZC05ZWRjLWQ5NWY0ZjNlNzVmYVwvZDlsZmdpNS0zZjc5Zjk3Zi1mOTdmLTQ1NjktODVmMS0xMmFkZDU1YmYxMmUuanBnIiwid2lkdGgiOiI8PTY4MzAifV1dLCJhdWQiOlsidXJuOnNlcnZpY2U6aW1hZ2Uub3BlcmF0aW9ucyJdfQ.S1zaeqb5B1oFXARUFgCQwKWTR1C3fZNWdFY_k7fqEaw)
![[APH] Toltec and teotihuacan](https://images-wixmp-ed30a86b8c4ca887773594c2.wixmp.com/f/217e05e1-1c4c-411d-9edc-d95f4f3e75fa/d9wj40v-6814d547-2ad5-4eea-8918-ee4cdd940871.jpg/v1/crop/w_184,h_184,x_0,y_19,scl_0.10550458715596,q_70,strp/_aph__toltec_and_teotihuacan_by_xxhikaru00xx_d9wj40v-92s-2x.jpg?token=eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJzdWIiOiJ1cm46YXBwOjdlMGQxODg5ODIyNjQzNzNhNWYwZDQxNWVhMGQyNmUwIiwiaXNzIjoidXJuOmFwcDo3ZTBkMTg4OTgyMjY0MzczYTVmMGQ0MTVlYTBkMjZlMCIsIm9iaiI6W1t7ImhlaWdodCI6Ijw9MTQ0MyIsInBhdGgiOiJcL2ZcLzIxN2UwNWUxLTFjNGMtNDExZC05ZWRjLWQ5NWY0ZjNlNzVmYVwvZDl3ajQwdi02ODE0ZDU0Ny0yYWQ1LTRlZWEtODkxOC1lZTRjZGQ5NDA4NzEuanBnIiwid2lkdGgiOiI8PTEwMjQifV1dLCJhdWQiOlsidXJuOnNlcnZpY2U6aW1hZ2Uub3BlcmF0aW9ucyJdfQ.opqlUKfwA463EMUrwpc8iuQ8Pv0Tc_uZH_lzKoZ95TE)
![[APH] Toltec and teotihuacan](https://images-wixmp-ed30a86b8c4ca887773594c2.wixmp.com/f/217e05e1-1c4c-411d-9edc-d95f4f3e75fa/d9wj40v-6814d547-2ad5-4eea-8918-ee4cdd940871.jpg/v1/crop/w_92,h_92,x_0,y_9,scl_0.052752293577982,q_70,strp/_aph__toltec_and_teotihuacan_by_xxhikaru00xx_d9wj40v-92s.jpg?token=eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJzdWIiOiJ1cm46YXBwOjdlMGQxODg5ODIyNjQzNzNhNWYwZDQxNWVhMGQyNmUwIiwiaXNzIjoidXJuOmFwcDo3ZTBkMTg4OTgyMjY0MzczYTVmMGQ0MTVlYTBkMjZlMCIsIm9iaiI6W1t7ImhlaWdodCI6Ijw9MTQ0MyIsInBhdGgiOiJcL2ZcLzIxN2UwNWUxLTFjNGMtNDExZC05ZWRjLWQ5NWY0ZjNlNzVmYVwvZDl3ajQwdi02ODE0ZDU0Ny0yYWQ1LTRlZWEtODkxOC1lZTRjZGQ5NDA4NzEuanBnIiwid2lkdGgiOiI8PTEwMjQifV1dLCJhdWQiOlsidXJuOnNlcnZpY2U6aW1hZ2Uub3BlcmF0aW9ucyJdfQ.opqlUKfwA463EMUrwpc8iuQ8Pv0Tc_uZH_lzKoZ95TE)
![[APH] Cultura Olmeca](https://images-wixmp-ed30a86b8c4ca887773594c2.wixmp.com/f/217e05e1-1c4c-411d-9edc-d95f4f3e75fa/dczxqox-68075fa3-ddcf-4086-b859-1c22933dd529.jpg/v1/crop/w_184,h_184,x_1,y_0,scl_0.063013698630137,q_70,strp/_aph__cultura_olmeca_by_xxhikaru00xx_dczxqox-92s-2x.jpg?token=eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJzdWIiOiJ1cm46YXBwOjdlMGQxODg5ODIyNjQzNzNhNWYwZDQxNWVhMGQyNmUwIiwiaXNzIjoidXJuOmFwcDo3ZTBkMTg4OTgyMjY0MzczYTVmMGQ0MTVlYTBkMjZlMCIsIm9iaiI6W1t7ImhlaWdodCI6Ijw9MTI2MiIsInBhdGgiOiJcL2ZcLzIxN2UwNWUxLTFjNGMtNDExZC05ZWRjLWQ5NWY0ZjNlNzVmYVwvZGN6eHFveC02ODA3NWZhMy1kZGNmLTQwODYtYjg1OS0xYzIyOTMzZGQ1MjkuanBnIiwid2lkdGgiOiI8PTEyODAifV1dLCJhdWQiOlsidXJuOnNlcnZpY2U6aW1hZ2Uub3BlcmF0aW9ucyJdfQ.oBUaPBbrIjcS3FeK-nzNghFBAy86RxTQ-9EIweRHjeI)
![[APH] Cultura Olmeca](https://images-wixmp-ed30a86b8c4ca887773594c2.wixmp.com/f/217e05e1-1c4c-411d-9edc-d95f4f3e75fa/dczxqox-68075fa3-ddcf-4086-b859-1c22933dd529.jpg/v1/crop/w_92,h_92,x_0,y_0,scl_0.031506849315068,q_70,strp/_aph__cultura_olmeca_by_xxhikaru00xx_dczxqox-92s.jpg?token=eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJzdWIiOiJ1cm46YXBwOjdlMGQxODg5ODIyNjQzNzNhNWYwZDQxNWVhMGQyNmUwIiwiaXNzIjoidXJuOmFwcDo3ZTBkMTg4OTgyMjY0MzczYTVmMGQ0MTVlYTBkMjZlMCIsIm9iaiI6W1t7ImhlaWdodCI6Ijw9MTI2MiIsInBhdGgiOiJcL2ZcLzIxN2UwNWUxLTFjNGMtNDExZC05ZWRjLWQ5NWY0ZjNlNzVmYVwvZGN6eHFveC02ODA3NWZhMy1kZGNmLTQwODYtYjg1OS0xYzIyOTMzZGQ1MjkuanBnIiwid2lkdGgiOiI8PTEyODAifV1dLCJhdWQiOlsidXJuOnNlcnZpY2U6aW1hZ2Uub3BlcmF0aW9ucyJdfQ.oBUaPBbrIjcS3FeK-nzNghFBAy86RxTQ-9EIweRHjeI)
Description
Btw, hay un leve error en maxtla xD, es Maxtlatl Bueno, primero dejaré aquí la traducción en inglés antes de colocar algún otro dato que me faltara colocar en este pequeño perfil.
"Profile Toltec Society Representation/Toltequity (and some hc)
-Clothing-
*In the layer, behind, comes the Ometeotl reading.
*Ometeotl in the Codex Ixtlilxochitl, section blankets.
*Ometeotl = energy polarity, no duality
*Wear this means that the person does everything consciously, in full awareness of being.
*Small knots and fiber strips
*Rarely or when visiting other cities: layer tied over the left shoulder.
*Most of the time, Toltec uses obsidian mirror on the chest to tie the garment as a layer.
*The mirror was a divination tool in prehispanic.
*The obsidian mirrors and transmutes.
*He has a golden obsidian
*Without that, he wears the mirror hanging from the neck.
*Golden disc
*Obsidian and turquoise
*Red and black together represent wisdom, knowledge.
*Not a loincloth, is a Maxtla.
*On the knees is a characteristic of a Maxtla of Maya area.
*According to informants of Sahagun and the Codex Chimalpopoca, the Toltecs first emerged in Guatemala (Cuauhtemallan/Quauhtemallan), "about ships."
*Cacti (slipper) are like those of Chac Mool.
*Eagle and raven feathers.
*(nooooo Penacho) Quetzacopilli based but modified.
*Quetzal feathers means transmutation.
-Ornaments-
*Large earrings gold.
*Jade nose ring pretty simple.
*Jade labret below the lower lip.
"Profile Toltec Society Representation/Toltequity (and some hc)
-Clothing-
*In the layer, behind, comes the Ometeotl reading.
*Ometeotl in the Codex Ixtlilxochitl, section blankets.
*Ometeotl = energy polarity, no duality
*Wear this means that the person does everything consciously, in full awareness of being.
*Small knots and fiber strips
*Rarely or when visiting other cities: layer tied over the left shoulder.
*Most of the time, Toltec uses obsidian mirror on the chest to tie the garment as a layer.
*The mirror was a divination tool in prehispanic.
*The obsidian mirrors and transmutes.
*He has a golden obsidian
*Without that, he wears the mirror hanging from the neck.
*Golden disc
*Obsidian and turquoise
*Red and black together represent wisdom, knowledge.
*Not a loincloth, is a Maxtla.
*On the knees is a characteristic of a Maxtla of Maya area.
*According to informants of Sahagun and the Codex Chimalpopoca, the Toltecs first emerged in Guatemala (Cuauhtemallan/Quauhtemallan), "about ships."
*Cacti (slipper) are like those of Chac Mool.
*Eagle and raven feathers.
*(nooooo Penacho) Quetzacopilli based but modified.
*Quetzal feathers means transmutation.
-Ornaments-
*Large earrings gold.
*Jade labret below the lower lip.
*Gold bracelets and turquoise
-Other-
*When he wears his layer on, his hair is inside it.
*Normally when he's not wearing the layer, his hair tied tine as ponytail. This hairstyle also uses it without copilli.
*Moreover, only if he wear the copilli or layer, it wears his hair loose.
*His hair is very long, and reaches a bit beyond the height of the coccyx.
-Features-
*Slanted eyes. Here are some examples of indigenous women's eyes. Why I put references man and woman? the answer is later.
*Now an interesting headcanon and as an allegory.
*"The highest culture is one that needs no economy ... They tired, and finally they said cacao."- Ac Tah, Mayan man and guardian of ancestral tradition.
*"In 1940, archaeologist Jorge Acosta explores the remains of Tula in central Mexico, with the huge expectation of finding "the lost treasures of Quetzalcoatl". Among the archaeologists much frustration stems from not finding what promised the historical sources. But the treasures were there, waiting to be discovered." -Documentary "tula, mirror of the sky", with the support of special projects director of INAH Mexico City, and the director of the Hidalgo INAH. INAH's National Institute of Anthropology and History.
*Of these same treasures were confused Hernan Cortes with gold, with the "treasure of Montezuma". But the real teasure was the wisdom, the knowledge, no more, because anahuacas (including the Mexica), did not consider gold as an asset on the economic side. What was the most valuable, was the level of spirituality.
*Thus, given that the eyes are the window to the soul, amber color, in this case, it refers to the metaphor of the treasure, gold and too to the sheltered wisdom, the Toltequity/Toltecayotl.
*"These humans, who are parents of the culture of mankind, scientifically molded a society that knew no feudalism, nor slavery, much less capitalism." -John Collier, Director of the Indian Institute of the United States.
*In low light, his eyes are dark, so the yellow is not noticeable.
*Tlaneci is androgynous, making an allegory about the polarity, which is a very important part in the Toltequity, in prehispanic vision.
*His appeal is nothing more than a way to link the attraction of knowledge.
And on small letters, the boy in the picture, yes, it's a boy XD
More about Tlaneci Tlamatiliztli - Toltec/Tolteca horselandiceage.deviantart.com…
-Other-
*When he wears his layer on, his hair is inside it.
*Normally when he's not wearing the layer, his hair tied tine as ponytail. This hairstyle also uses it without copilli.
*Moreover, only if he wear the copilli or layer, it wears his hair loose.
*His hair is very long, and reaches a bit beyond the height of the coccyx.
-Features-
*Slanted eyes. Here are some examples of indigenous women's eyes. Why I put references man and woman? the answer is later.
*Now an interesting headcanon and as an allegory.
*"The highest culture is one that needs no economy ... They tired, and finally they said cacao."- Ac Tah, Mayan man and guardian of ancestral tradition.
*"In 1940, archaeologist Jorge Acosta explores the remains of Tula in central Mexico, with the huge expectation of finding "the lost treasures of Quetzalcoatl". Among the archaeologists much frustration stems from not finding what promised the historical sources. But the treasures were there, waiting to be discovered." -Documentary "tula, mirror of the sky", with the support of special projects director of INAH Mexico City, and the director of the Hidalgo INAH. INAH's National Institute of Anthropology and History.
*Of these same treasures were confused Hernan Cortes with gold, with the "treasure of Montezuma". But the real teasure was the wisdom, the knowledge, no more, because anahuacas (including the Mexica), did not consider gold as an asset on the economic side. What was the most valuable, was the level of spirituality.
*Thus, given that the eyes are the window to the soul, amber color, in this case, it refers to the metaphor of the treasure, gold and too to the sheltered wisdom, the Toltequity/Toltecayotl.
*"These humans, who are parents of the culture of mankind, scientifically molded a society that knew no feudalism, nor slavery, much less capitalism." -John Collier, Director of the Indian Institute of the United States.
*In low light, his eyes are dark, so the yellow is not noticeable.
*Tlaneci is androgynous, making an allegory about the polarity, which is a very important part in the Toltequity, in prehispanic vision.
*His appeal is nothing more than a way to link the attraction of knowledge.
And on small letters, the boy in the picture, yes, it's a boy XD
More about Tlaneci Tlamatiliztli - Toltec/Tolteca horselandiceage.deviantart.com…
Image size
4446x12097px 42.49 MB
© 2016 - 2024 Horselandiceage
Comments43
Join the community to add your comment. Already a deviant? Log In
Fantastic study page. Well done.